Background
Chronos shares its particular style with the film Koyaanisqatsi (1983), for which Ron Fricke was the cinematographer, as well as his later films Sacred Site and Baraka (1992). The theme of the film is "he celebration of life", and does not include the themes of technology as the culprit for society or "life out of balance", which were present in Koyaanisqatsi. American Cinematographer described the film as "a musical poem praising the evolution of Western man from Cairo to Los Angeles." The film was produced by Canticle Films, a production company founded by Fricke. Funding for Chronos came from the seed money acquired through the publicity surrounding the production of Koyaanisqatsi.
Fricke designed and built a 65 mm camera for the film, which included a motion control system for the film's special effects. The director also used the system in his later films.
Michael Stearns, while composing the soundtrack for the film, used a custom-made instrument called "The Beam" to generate many of the sounds he required. The Beam was 12 feet (3.7 m) long, made of extruded aluminum with 24 piano strings of gauge 19-22.
The name of the film comes from the Ancient Greek word χρόνος, khronos, which means time and is also the source to many modern terms related to time, such as chronology, synchronous etc.
Read more about this topic: Chronos (film)
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