Christophe Bruno - Background

Background

Christophe Bruno was born on July 1, 1964 in Bayonne, France. He lives and works in Paris France. To date, he has been awarded the ARCO (Madrid's International Contemporary Art Fair) new media prize in 2007, and a prize at the Prix Ars Electronica 2003.

His work has been shown at many international festivals, museums: FIAC Paris, ARCO Madrid, Biennale of Sydney, Diva Fair in New York, Palais de Tokyo in Paris, Art Cologne, MoCA Taipei, Modern Art Museum of the city of Paris, New Museum of Contemporary Art in New York, Tirana Biennale of Contemporary Art, Gallery West in The Hague, Vooruit Arts Center in Ghent, Share Festival in Turin, Transmediale in Berlin, Laboral Cyberspaces in Gijon, Galerie Sollertis in Toulouse, ICC in Tokyo, Nuit Blanche de Paris, File Festival in São Paulo, Rencontres Paris-Berlin, f.2004@shangai, ReJoyce Festival in Dublin, P0es1s.net in Berlin, Microwave International New Media Arts Festival in Hong Kong, Read_Me Festival in Dortmund and Aarhus, Vidarte in Mexico City.

He divides his time between his artistic activity, curating, teaching, lectures, and publications.

Read more about this topic:  Christophe Bruno

Famous quotes containing the word background:

    Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.
    Friedrich Nietzsche (1844–1900)

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)