Criticism
Mort argues that one of the difficulties facing Christian science fiction authors who endorse Creationism—especially those writing "hard" science fiction—is reconciling the limits placed on the author in exploring science within a Creationist framework. This is made even more problematic when one considers that the notion of "the future as divinely ordered" limits the author's ability to speculate on what that future may be. For example, the first of these difficulties has been identified by Pierce as a problem with some of R. A. Lafferty's work, who "is uncomfortable with the idea of even biological evolution"; while Tom Doyle notes the predictability of the Christian apocalyptic novel, due, he argues, to the genre following "a particular interpretation of biblical prophecy".
These difficulties raise concerns regarding genre boundaries: while Christian science fiction has been identified as a specific market into which stories can be sold, Doyle has questioned whether or not books that are, at times, classified in this subgrenre truly fit. In examining Christian apocalyptic fiction, Doyle notes that it is often classified as Christian science fiction, but argues that this classification is inappropriate. While both may employ scientific themes, Christian apocalyptic fiction is not, as he describes it, "scientifically minded", arguing that the authors tend to respond to scientific problems "with biblical authority, prophetic interpretation, and fundamentalist ideas of human identity instead of rational argument, scientific method, and humanistic thought". It should be noted, however, that Doyle sees Brian Caldwell's We All Fall Down as an exception to his argument, suggesting that (despite being a work of Christian apocalyptic fiction) it is the sort of work that he would like to see classified as science fiction.
Read more about this topic: Christian Science Fiction
Famous quotes containing the word criticism:
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)