Contemporary Christian Music
From the latter half of the 20th century to the present day in Western Christendom—especially in the United States and in other countries with evangelical churches—various genres of music, originally often related to pop rock, have been created under the label of Contemporary Christian Music for home-listening and concert use. It can be divided into several genres and sub-genres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. These genres (sometimes referred to as 'style') like other forms of music may be distinguished by the techniques, the styles, the context and the themes, or geographical origin. Specific sub-genres of CCM may include (but are not limited to): Christian country music, Christian pop, Christian rock, Christian metal, Christian hardcore, Christian punk, Christian alternative rock and Christian hip hop. Called Christian pop or gospel a generalized form, is a musical movement almost new and was now evolved into a day, a large number of musical genres by region that comes in a Christian context This movement appeared as a form of evangelization for the young but this genre is best known and seen in the Evangelical or Protestant proselytizing movements, often using rhythms similar to those in secular music.
Contemporary Christian music is not a musical genre like the other genres. When a song is identified as "Christian" it is done taking into account the lyrics, the song-writers and performers, rather than musical style. Therefore, one can say that contemporary Christian music is diverse, and there are Christian songs that are sung to the rhythm of salsa, reggae, rock, folk, hip-hop or rap, ballads, pop, singer-songwriters and even extreme music such as punk or heavy metal.
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Famous quotes containing the words contemporary, christian and/or music:
“I have the strong impression that contemporary middle-class women do seem prone to feelings of inadequacy. We worry that we do not measure up to some undefined level, some mythical idealized female standard. When we see some women juggling with apparent ease, we suspect that we are grossly inadequate for our own obvious struggles.”
—Faye J. Crosby (20th century)
“[Rutherford B. Hayes] was a patriotic citizen, a lover of the flag and of our free institutions, an industrious and conscientious civil officer, a soldier of dauntless courage, a loyal comrade and friend, a sympathetic and helpful neighbor, and the honored head of a happy Christian home. He has steadily grown in the public esteem, and the impartial historian will not fail to recognize the conscientiousness, the manliness, and the courage that so strongly characterized his whole public career.”
—Benjamin Harrison (1833–1901)
“I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.... Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
—Harper Lee (b. 1926)