Childhood
Blackwell was born in Westminster, London. Blackwell's father, Joseph, who was Irish, was related to the founder of Crosse & Blackwell, purveyors of jarred foods and relishes, and had some residual wealth. He became a Major in the Jamaican Regiment.
Blackwell's mother, the former Blanche Lindo, was born in Costa Rica, and was a Sephardic Jew from a Jamaican family. She belonged to a powerful family who made their fortune in sugar and Appleton rum toward the end of slavery. They are named as one of the 21 families who controlled Jamaica in the 20th century. Blackwell's parents divorced when he was twelve. Blanche was considered the love of Ian Fleming's later life, becoming the James Bond author's muse and the inspiration for the character Pussy Galore in Goldfinger. She owned several thousand acres of land near Oracabessa, Jamaica, and sold properties to both Fleming and Noël Coward. Due to her heritage, Blanche was viewed as a white Jamaican.
Blackwell spent his childhood in Jamaica, and was sent to Britain to continue his education at Harrow. Deciding not to attend university, he returned to Jamaica to become ADC to the Governor of Jamaica Sir Hugh Foot. After Foot was transferred to Cyprus, Blackwell left King's House to pursue a career in real estate and other businesses, including managing jukeboxes up and down the country, which brought him into contact with the Jamaican music community.
In 1958, Blackwell was sailing off Helshire Beach when his boat ran aground on a coral reef. The twenty one-year-old swam to the coast and attempted to find help along the shore in searing temperatures. Collapsing on the beach, Blackwell was rescued by Rasta fishermen who tended his wounds and restored him back to health with traditional Ital food. The experience gave Blackwell a spiritual introduction to Rastafarianism, and was a key to his connection to the culture and its music.
Read more about this topic: Chris Blackwell
Famous quotes containing the word childhood:
“Childhood lasts all through life. It returns to animate broad sections of adult life.... Poets will help us to find this living childhood within us, this permanent, durable immobile world.”
—Gaston Bachelard (1884–1962)
“It is not however, adulthood itself, but parenthood that forms the glass shroud of memory. For there is an interesting quirk in the memory of women. At 30, women see their adolescence quite clearly. At 30 a woman’s adolescence remains a facet fitting into her current self.... At 40, however, memories of adolescence are blurred. Women of this age look much more to their earlier childhood for memories of themselves and of their mothers. This links up to her typical parenting phase.”
—Terri Apter (20th century)
“When you have really exhausted an experience you always reverence and love it. The two things that nearly all of us have thoroughly and really been through are childhood and youth. And though we would not have them back again on any account, we feel that they are both beautiful, because we have drunk them dry.”
—Gilbert Keith Chesterton (1874–1936)