Career
Aged 22, Blackwell formed a record label in 1958 with a start-up investment of $10,000 provided by his parents, taking its name from Alec Waugh's novel Island in the Sun. Radio personality Graeme Goodall was his initial business partner. Blackwell received a small allowance from his mother, which enabled him to have his own apartment at a young age and survive on the little he was earning. Island's debut release was a piano album by Bermudian pianist Lance Hayward. Blackwell began recording Jamaican popular music in 1959, achieving a number one hit there with Laurel Aitken's "Boogie in my Bones/Little Sheila".
In 1961, Blackwell acted as a location scout and production assistant for the 1962 Bond film Dr No. After the movie wrapped, producer Harry Saltzman offered him a full-time position. Conflicted between music and film, Blackwell visited a psychic, who told him that he would be successful if he stayed in the music industry.
By 1962, the fledgling record producer had released 26 singles and two albums on Island. Blackwell returned to England that year and continued to grow his business. He began having success with the niche market of Jamaican music, and progressed to bringing in licensed master tapes. One of these contained a performance by fifteen-year-old Millie Small, who Blackwell brought over to England. In 1964, he produced Small's cover of a 1956 Barbie Gaye song "My Boy Lollypop" which was one of the first songs recorded in the "ska" style. Millie Small's version was a smash hit, selling over six million records worldwide. It launched Island Records into mainstream popular music, and is acknowledged as the first international ska hit.
Blackwell later remembered his breakthrough release:
| “ | I didn't put it on Island because I knew it was going to be so big. Independent labels in those days couldn't handle hits, because you couldn't pay the pressing plant in time to supply the demand, so I licensed it to Fontana, which was part of Philips. It was a big hit all around the world, and I really wanted to look after Millie, so I went everywhere with her, which took me into the mainstream of the record industry. I was lucky enough to see Stevie Winwood with the Spencer Davis Group, at a TV show in Birmingham. So then I started to spend more time in that area. This whole new music was emerging. | ” |
After discovering The Spencer Davis Group, featuring Steve Winwood, Blackwell focused on the rock acts that Island had signed. Island became one of the most successful independent labels of the 1960s, 1970s, and 1980s with artists like Traffic, King Crimson, Emerson, Lake & Palmer, Jethro Tull, Cat Stevens, Grace Jones, Free, Fairport Convention, John Martyn, Sly and Robbie, Sparks, Spooky Tooth, Nick Drake, Roxy Music, Robert Palmer, Melissa Etheridge, The Cranberries and U2. "The bigger labels are supermarkets", Blackwell remarked. "I like to think of Island as a very classy delicatessen." However, Blackwell has admitted to turning down some major names. One was Elton John: He considered the pianist too shy to become a performer. Ironically, years later, after Blackwell had sold Island to PolyGram, its successor Universal Music Group re-released some of John's older albums on the Island label.
Island and Blackwell himself became renowned for a relaxed, nurturing approach. Blackwell showed skill in spotting and creating trends, as well as a gift for finding talent. He had an imaginative flair for marketing, and Island's releases were often packaged in lovingly designed gatefold sleeves. Blackwell has said: "I really believe that if people see something that looks good, subconsciously they'll think maybe there's something going on inside, on the record. There were times when somebody came out with a cover which was actually better than the record itself, so I'd have to send them back to remake the record."
Island Records was also the first distibution home for Trojan Records, Chrysalis Records, Bronze Records, Stiff Records and Virgin Records and the American Label Sue Records, who produced Jimmy McGriff, The Soul Sisters and Ike and Tina Turner.
Eventually, Island moved into movies and released The Harder They Come in the UK, which featured Jimmy Cliff. Produced and directed by fellow Jamaican Perry Henzell, the film marked the first time that Jamaican themes appeared in mainstream cinema.
In 1977, Blackwell built Compass Point Studios in Nassau, Bahamas as a recording home for his and other artists.
One of Blackwell's notable achievements was bringing Bob Marley & The Wailers to the attention of international audiences. Without a signed contract, Blackwell advanced money to The Wailers for their first Island album, displaying the trust which stemmed from his 1958 beach rescue by Rastas. Blackwell's gesture led to the longterm success of both Marley and the label.
Of his experience with Marley, Blackwell has said:
| “ | He trusted my instincts, which were that he should go after being a rock star, rather than a star on black American radio. His music was rough and raw and exciting, but all black American music at the time, other than James Brown, was very slick and smooth. Bob trusted me on that, he was as keen as I was. | ” |
Blackwell also formed Mango Records, which featured Jamaican and other artists from the Third World. Mango introduced Burning Spear, Black Uhuru, Third World, Salif Keita, Baaba Maal, Angélique Kidjo, King Sunny Adé and many others.
Blackwell sold his stake in Island in 1989, eventually resigning from the company in 1997. In 2009, Blackwell was at the centre of celebrations held in London for Island's fiftieth anniversary.
Each of Blackwell's companies was eventually sold to PolyGram and, in 1998, were part of the Universal Music Group conglomerate, but Blackwell left with a unique reputation for looking after artists as diverse as Bob Marley, U2, Cat Stevens, Grace Jones, Steve Winwood, Melissa Etheridge, Tom Waits, The Cranberries, Richard Thompson and PJ Harvey.
After selling these companies, Blackwell went on to found Palm Pictures, a media entertainment company with music, film and DVD releases. In the late Nineties, Blackwell merged Palm Pictures with Rykodisc to form RykoPalm, a new operation.
Blackwell currently runs Island Outpost, which he set up to operate and market a group of elite resorts in Jamaica the Bahamas and Miami Beach, including Strawberry Hill in the Blue Mountains (where Marley recovered after being shot in 1976), Jake's in Treasure Beach, The Caves in Negril, and the recording studio and private hotel Geejam near Port Antonio, where artists such as Gwen Stefani and No Doubt, Drake and Gorillaz have recorded. Island Outpost also owned The Tides and The Marlin in Miami Beach, Florida.. The Miami Beach properties including The Tides, The Marlin and The Kent along with several other hotels in Miami Beach and The Bahamas have since been sold.
Blackwell has long owned Goldeneye in Oracabessa, the previous home of Ian Fleming, where the author wrote all the James Bond books. Until his death, Fleming was the longtime lover of Blackwell's mother, Blanche. Blackwell developed the property into a community of villas and beach cottages, each with its own private access to the sea, and Goldeneye is considered the most exclusive of the Island Outpost resorts.
Blackwell is involved in a number of philanthropic organizations. Among these are Island ACTS, the Oracabessa Foundation, the Mary Vinson Blackwell Foundation, and the Jamaican Conservation Trust.
In 2003, Blackwell launched the Goldeneye Film Festival, which continues to be held annually at the resort. In September that year, Blackwell received the coveted Jamaican Musgrave Medal, awarded to Jamaicans who excel in the arts, music and public service. In 2004, the Order of Jamaica was bestowed upon Blackwell for philanthropy and outstanding contribution to the entertainment industry.
With a family legacy rooted in Jamaica's banana, coconut, and rum export industries, Blackwell served as the inspiration for "Blackwell Fine Jamaican Rum ".
In April 2009, the UK magazine Music Week named Blackwell the most influential figure in the last 50 years of the British music industry.
Read more about this topic: Chris Blackwell
Famous quotes containing the word career:
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)