Chord Names and Symbols (popular Music)

Chord Names And Symbols (popular Music)

Various kinds of chord names and symbols are used in different contexts, to represent musical chords. In most genres of popular music, including jazz, pop, and rock, a chord name and the corresponding symbol are typically composed of one or more of the following parts:

  1. The root note (e.g. C).
  2. The chord quality (e.g. major, maj, or M).
  3. The number of an interval (e.g. seventh, or 7), or less often its full name or symbol (e.g. major seventh, maj7, or M7).
  4. The altered fifth (e.g. sharp five, or ♯5).
  5. An additional interval number (e.g. add 13 or add13), in added tone chords.

For instance, the name C augmented seventh, and the corresponding symbol Caug7, or C+7, are both composed of parts 1, 2, and 3.

Except for the root, these parts do not refer to the notes which form the chord, but to the intervals they form with respect to the root. For instance, Caug7 indicates a chord formed by the notes C-E-G♯-B♭. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fifth) interval from C to G♯, and the (minor) seventh interval from C to B♭. A set of decoding rules is applied to deduce the missing information.

Although they are used occasionally in classical music, these names and symbols are "universally used in jazz and popular music", usually inside lead sheets, fake books, and chord charts, to specify the harmony of compositions. Other notation systems for chords include: plain staff notation, used in classical music, Roman numerals, commonly used in harmonic analysis, figured bass, much used in the Baroque era, and macro symbols, sometimes used in modern musicology.

Read more about Chord Names And Symbols (popular Music):  Advantages and Limitations, Chord Quality, Rules To Decode Chord Names and Symbols, Intervals, Triads, Seventh Chords, Extended Chords, Added Tone Chords, Suspended Chords, Power "chords"

Famous quotes containing the words chord, names and/or symbols:

    Give me the keys. I feel for the common chord again,
    Sliding by semi-tones till I sink to a minor,—yes,
    And I blunt it into a ninth, and I stand on alien ground,
    Surveying a while the heights I rolled from into the deep;
    Which, hark, I have dared and done, for my resting-place is found,
    The C Major of this life: so, now I will try to sleep.
    Robert Browning (1812–1889)

    We rarely quote nowadays to appeal to authority ... though we quote sometimes to display our sapience and erudition. Some authors we quote against. Some we quote not at all, offering them our scrupulous avoidance, and so make them part of our “white mythology.” Other authors we constantly invoke, chanting their names in cerebral rituals of propitiation or ancestor worship.
    Ihab Hassan (b. 1925)

    And into the gulf between cantankerous reality and the male ideal of shaping your world, sail the innocent children. They are right there in front of us—wild, irresponsible symbols of everything else we can’t control.
    Hugh O’Neill (20th century)