Chopin Nocturnes - Influence

Influence

When first published, Chopin’s nocturnes were met with mixed reactions from critics, though many of them were not in his favor. However, through the process of time, many who had initially been displeased with the nocturnes found themselves retracting previous criticisms, holding the short compositions in high respect.

While the popularity of individual nocturnes has varied considerably since Chopin's death, they have retained a significant position in the piano repertoire, with the Op. 9 No. 2 in E♭ major and the Op. 27 No. 2 in D♭ major perhaps the most enduringly popular.

Various composers from both Chopin’s lifetime and later have expressed their influence from his work with nocturnes. Such artists as Johannes Brahms and Richard Wagner display similar melodic technique and style in their music as Chopin. Other composers such as Mendelssohn, Schumann, and Liszt described the genius that lay within Chopin’s nocturnes. It is clear that these short piano compositions made a noticeable and lasting impact on music and composition during the romantic period.

Chopin extracted much of his influence from poetry and paintings, often using his surroundings to inspire his melodies and phrasing. His Nocturne compositions are a clear example of the beauty of nature and display his impressionism.

Read more about this topic:  Chopin Nocturnes

Famous quotes containing the word influence:

    Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.
    Ellen Galinsky (20th century)

    Only let the North exert as much moral influence over the South, as the South has exerted demoralizing influence over the North, and slavery would die amid the flame of Christian remonstrance, and faithful rebuke, and holy indignation.
    Angelina Grimké (1805–1879)

    To marry a man out of pity is folly; and, if you think you are going to influence the kind of fellow who has “never had a chance, poor devil,” you are profoundly mistaken. One can only influence the strong characters in life, not the weak; and it is the height of vanity to suppose that you can make an honest man of anyone.
    Margot Asquith (1864–1945)