Composition
Musically, "Chocolate" utilizes a dance written song, but features elements of pop and R&B. Along with her studio album Body Language (2003), the song is known to be very different to Minogue's signature music, which was more uptempo dance music. Lyrically, the talks about "A heart-broken girl, who has cried rivers over previous boyfriends, finally finds a man who's as smooth as chocolate." According to BBC Music, they said the musical composition "sticks, so you'll be humming that, but the verses are too slow to make an impact. Also, you can't hear Kylie's voice for all the computer synthesisation." Helen Pidd from The Guardian noticed the songs "saccharine innuendo and breathy vocals".
Before the commercial release of Minogue's version, "Chocolate" was originally a duet including a rap by Ludacris, however it wasn't released as the final mix. Then in 2006, the song was leaked online worldwide.
Read more about this topic: Chocolate (Kylie Minogue Song)
Famous quotes containing the word composition:
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
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“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
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“Pushkins composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
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