Chita Rivera - Stage Work

Stage Work

  • Call Me Madam (1951) (national tour)
  • Guys and Dolls (1951) (replacement for Onna White)
  • Can-Can (1953) (Broadway)
  • Seventh Heaven (1955) (Broadway)
  • Mr. Wonderful (1956) (Broadway)
  • Shinbone Alley (1957) (Broadway) (standby for Eartha Kitt)
  • West Side Story (1957) (Broadway and London)
  • Bye Bye Birdie (1960) (Broadway and London)
  • Zenda (1963) (closed on the road)
  • Bajour (1964) (Broadway)
  • Zorba (1969) (US national tour)
  • 1491 (1969) (closed on the road)
  • Sondheim: A Musical Tribute (1973) (Broadway)
  • Kiss Me, Kate (1974) (North Shore Music Theatre)
  • Chicago (1975) (Broadway and US national tour)
  • V.I.P. Night on Broadway (1979) (Broadway)
  • Bring Back Birdie (1981) (Broadway)
  • Anything Goes (1982) (The Muny)
  • Merlin (1983) (Broadway)
  • The Rink (1984) (Broadway)
  • Chicago (1985) (Harrah's Atlantic City)
  • Jerry's Girls (1985) (Broadway)
  • Can-Can (1988) (world tour)
  • Kiss of the Spider Woman (1992) (Broadway, London and US national tour)
  • Chicago (1997) (London and US national tour)
  • Dear World (1998) (workshop)
  • Anything Goes (2000) (Paper Mill Playhouse)
  • The Visit (2001) (Chicago)
  • Casper: The Friendly Musical (2001) (US national tour)
  • Nine (2003) (Broadway)
  • The Visit (2004) (Off-Broadway, cancelled before opening)
  • Chita Rivera: The Dancer's Life (2005) (Broadway and US national tour)
  • The Visit (2008) (Signature Theatre (Arlington, Virginia))
  • The Visit (2011) (benefit concert)
  • The Mystery of Edwin Drood (2012) (Broadway)

Read more about this topic:  Chita Rivera

Famous quotes containing the words stage and/or work:

    “If you’re an actor, a real actor, you’ve got to be on the stage. But you mustn’t go on the stage unless it’s absolutely the only thing you can do.”
    —Dame Edith Evans (1888–1976)

    “In the beginning, I wanted to enter what was essentially a man’s field. I wanted to prove I could do it. Then I found that when I did as well as the men in the field I got more credit for my work because I am a woman, which seems unfair.”
    —Eugenie Clark (b. 1922)