Classical Prose
Early Chinese prose was deeply influenced by the great philosophical writings of the Hundred Schools of Thought (770-221 BCE). The works of Mo Zi (墨子), Mencius (孟子) and Zhuang Zi (莊子) contain well-reasoned, carefully developed discourses that reveal much stronger organization and style than their predecessors. Mo Zi's polemic prose was built on solid and effective methodological reasoning. Mencius contributed elegant diction and, like Zhuang Zi, relied on comparisons, anecdotes, and allegories. By the 3rd century BCE, these writers had developed a simple, concise and economical prose style that served as a model of literary form for over 2,000 years. They were written in Classical Chinese, an isolating language spoken during the Spring and Autumn Period.
During the Tang period, the ornate, artificial style of prose developed in previous periods was replace by a simple, direct, and forceful prose based on examples from the Hundred Schools (see above) and from the Han period, the period in which the great historical works of Sima Tan and Sima Qian were published. This neoclassical style dominated prose writing for the next 800 years. It was exemplified in the work of Han Yu 韓愈 (768–824), a master essayist and strong advocate of a return to Confucian orthodoxy; Han Yu was later listed as one of the "Eight Great Prose Masters of the Tang and Song."
The Song Dynasty saw the rise in popularity of "travel record literature" (youji wenxue). Travel literature combined both diary and narrative prose formats, it was practiced by such seasoned travelers as Fan Chengda (1126–1193) and Xu Xiake (1587–1641) and can be seen in the example of Su Shi's Record of Stone Bell Mountain.
After the 14th century, vernacular fiction became popular, at least outside of court circles. Vernacular fiction covered a broader range of subject matter and was longer and more loosely structured than literary fiction. One of the masterpieces of Chinese vernacular fiction is the 18th-century domestic novel Dream of the Red Chamber (紅樓夢).
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Famous quotes containing the words classical and/or prose:
“Classical art, in a word, stands for form; romantic art for content. The romantic artist expects people to ask, What has he got to say? The classical artist expects them to ask, How does he say it?”
—R.G. (Robin George)
“Poetry is the language in which man explores his own amazement ... says heaven and earth in one word ... speaks of himself and his predicament as though for the first time. It has the virtue of being able to say twice as much as prose in half the time, and the drawback, if you do not give it your full attention, of seeming to say half as much in twice the time.”
—Christopher Fry (b. 1907)