Background
The name derives from the Chilkat tribe in Klukwan, Alaska on the Chilkat River. The Tsimshian are reputed to have invented the technique, according to some Tlingit weavers, though this is not attested in Tsimshian sources. Chilkat weaving can be applied to blankets, robes, dance tunics, aprons, leggings, shirts, vests, bags, hats, and wall-hangings. Chilkat clothing features long wool fringe that sways when the wearer dances. Traditionally chiefs would wear Chilkat blankets during potlatch ceremonies.
Chilkat weaving is one of the most complex weaving techniques in the world. It is unique in that the artist can create curvilinear and circular forms within the weave itself. A Chilkat blanket can take a year to weave. Traditionally mountain goat wool, dog fur, and yellow cedar bark are used in Chilkat weaving. Today sheep wool might be used. The designs used Northwest Coast formlines, a traditional aesthetic language made up of ovoid, U-form, and S-form elements to created highly stylized, but representational, clan crests and figures from oral history—often animals and especially their facial features. Yellow and black are dominant colors in the weavings, as is the natural buff color of the undyed wool. Blue can be a secondary color.
Looms used in Chilkat weaving only have a top frame and vertical supports, with no bottom frame, so the warp threads hang freely. The weaver works in vertical sections, as opposed to moving horizontally from end to end. Consequently, many designs are broken into vertical columns. As with most Northwest Coast art, these columns are bilaterally symmetrical.
Read more about this topic: Chilkat Weaving
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