Chiho Saito - Works

Works

  • Anastasia Club
  • Revolutionary Girl Utena
  • Waltz in a White Dress (円舞曲は白いドレスで, Walts wa Shiroi Dress de?)
    • Magnolia Waltz (白木蘭円舞曲?)
  • One Day, While Meeting a Knight (ある日、ナイトに会ったなら, Aru Hi, Naito ni Attanara?)
    • Take Me Away, My Dear Knight (さらフてわたしのナイト, Saratte Watashi no Naito?)
  • Kanon (花音?)
  • First Girl (ファースト・ガール, Fāsuto Gāru?)
  • Basilis no Musume (バシリスの娘, Bashirisu no Musume?)
  • Beautiful (ビューティフル, Byūtifuru?)
  • Blue Apple Labyrinth (青りんご迷宮, Ao-Ringo Meikyū?)
  • Etoile Girl (エトワール・ガール, Etowāru Gāru?)
  • Sunset Love (目を閉じて愛, Hi wo Tojite Ai?)
  • Honoka ni Purple (ほのかにパープル, Honaka ni Pāpuru?, "A Hint of Purple")
  • Dream Ballet (星を摘むドンナ, Hoshi wo Tsumu Donna?, "Pluck the Stars, Donna")
  • Ice Forest (アイスフォレスト, Aisu Foresuto?)
  • The Flower Crown Madonna (花冠のマドンナ, Kakkan no Madonna?)
  • A Love Story in Shepherd Mount (小羊印のるんぱっぱ, Kohitsuji-jirushi no Runpappa?)
  • Place of Lovers (恋人たちの場所, Koibitotachi no Basho?)
  • Love Stories (恋物語, Koimonogatari?)
  • Angel Tattoo (天使のTATTOO, Tenshi no Tattoo?)
  • Mo Hitori no Marionette (もう一人のマリオネット, Mō Hitori no Marionetto?, "One More Marionette")
  • Wait for Me at the Opera (オペラ座で待ってて, Opera-za de Mattete?)
  • Lady Masquerade (レディー・マスカレード, Redī Masukarēdo?)
  • Lilac Nocturne (紫丁香夜想曲 LILAC NOCTURNE, Shiteikō Yazōkyoku: Lilac Nocturne?)
  • The World Exists for Me (S&Mの世界, S&M no Sekai?, "World of S&M") (Published in 2 English Short Story Volumes by Tokyopop")
  • Key of Arabian Nights (千一夜の鍵, Senichiya no Kagi?, "1,001 Keys")
  • Bronze no Tenshi (ブロンズの天使, Buronzu no Tenshi?, "Bronze Angel")
  • Chat Noir no Shippo (シャ・ノワールのしっぽ, Sha Nowāru no Shippo?, "Black Cat's Tail")
  • Silver Wolf (銀の狼, Gin no Ōkami?)

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Famous quotes containing the word works:

    “The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
    —Freya Stark (b. 1893–1993)

    “We have not all had the good fortune to be ladies. We have not all been generals, or poets, or statesmen; but when the toast works down to the babies, we stand on common ground.”
    —Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    “Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
    —Thomas Mann (1875–1955)