Career
Higuchi made her debut in 1996, before she had finished high school, in Mizuiro Jidai, voicing the character of Takako Takahata. On February 5, 1997 she released an album Believe under the EMI label.
In 1998, Higuchi provided the voice of Princess Mimori in the series Kero Kero Chime, a story about Aoi, a schoolboy who is cursed by a wizard and told that if he wants to remove the curse he must find Mimori (the main female character in the 30-episode series). In 1999, she provided the voice of tomboy Shiho Nagaoka in the series To Heart. Higuchi also received her first film credit, voicing the main character of Marco in the film Marco: 3000 Leagues in Search of Mother.
In the summer of 2004, Higuchi released the albums Favorite Shoes, the Azumanga Daioh Character CD Series 4: Tomo Takino and Azumanga Daiō Kyarakutā Shīdī Shirīzu 4: Takino Tomo which after its release on July 24, 2004 ranked 80th in Oricon singles charts. On March 25, 2005, she released The Best of Rival Players XXIV Yohei Tanaka & Kohei Tanaka, which ranked 75th in the Oricon singles charts.
She voiced the character of Yūko Atoda in the 2005 series Ah My Buddha, playing another tomboy. She reprised voicing this character in the 2006 sequel, Amaenaideyo!! Katsu!!. Later in 2005, Higuchi voiced the character of Hibiki Watanuki in the TV Tokyo series Pani Poni Dash!, a parody which frequently references Japanese and American popular culture.
Read more about this topic: Chieko Higuchi
Famous quotes containing the word career:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)