Chicago (musical) - Musical Numbers

Musical Numbers

Act 1
  • Overture – Orchestra
  • "All That Jazz" – Velma Kelly and Company
  • "Funny Honey" – Roxie Hart, Amos Hart and Sergeant Fogarty
  • "When You're Good to Mama" – Matron "Mama" Morton
  • "Cell Block Tango" – Velma and the Murdresses
  • "All I Care About" – Billy Flynn and the Girls
  • "A Little Bit of Good" – Mary Sunshine
  • "We Both Reached for the Gun" – Billy, Roxie, Mary and the Reporters
  • "Roxie" – Roxie and the Boys
  • "I Can't Do It Alone" – Velma
  • "Chicago After Midnight" – Orchestra
  • "My Own Best Friend" – Roxie and Velma
Act 2
  • Entr'acte – Orchestra
  • "I Know a Girl" – Velma
  • "Me and My Baby" – Roxie and Company
  • "Mr. Cellophane" – Amos
  • "When Velma Takes the Stand" – Velma and the Boys
  • "Razzle Dazzle" – Billy and Company
  • "Class" – Velma and Mama Morton
  • "Nowadays/Hot Honey Rag" – Velma and Roxie
  • "Finale" – Company

Read more about this topic:  Chicago (musical)

Famous quotes containing the words musical and/or numbers:

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    The only phenomenon with which writing has always been concomitant is the creation of cities and empires, that is the integration of large numbers of individuals into a political system, and their grading into castes or classes.... It seems to have favored the exploitation of human beings rather than their enlightenment.
    Claude Lévi-Strauss (b. 1908)