History
The figure at Cherhill was first cut in 1780 by a Dr Christopher Alsop, of Calne, and was created by stripping away the turf to expose the chalk hillside beneath. Its original size was 165 feet (50 m) by 220 feet (67 m). Dr Alsop, who was Guild Steward of the Borough of Calne, has been called "the mad doctor", and is reported to have directed the making of the horse from a distance, shouting through a megaphone from below Labour-in-Vain Hill. His design may have been influenced by the work of his friend George Stubbs, notable for his paintings of horses.
Since 1780, the horse has been 'scoured' several times. In 1935, it was dressed with a mixture of concrete and chalk, and it was cleaned up in 1994. A major restoration was carried out in 2002 by the Cherhill White Horse Restoration Group, when the horse was resurfaced with one hundred and sixty tonnes of new chalk, the outline was re-cut, and shuttering was added to hold the chalk in place. This work was supported by a grant of £18,000 from the National Trust. The present surface is thus made of compacted chalk, and the edges of the figure are well defined.
In the 19th century, the horse had a glittering glass eye, formed from bottles pressed neck-first into the ground. The bottles had been added by a Farmer Angell and his wife, but by the late 19th century they were gone, perhaps taken as souvenirs. During the 1970s, a local youth centre project added a new eye made of glass bottles, but these also disappeared. The eye now consists of stone and concrete and stands proud of the chalk surface.
In 1922, M. Oldfield Howey noted that "At the time of writing (1922) this horse is sadly in need of scouring, as due to the Great War all such things have had to be neglected, but we understand that a local lady has come to its rescue and asked permission to restore it. Formerly the Lord of the Manor was its groom!"
In the week of the coronation of King George VI in 1937, the horse was floodlit and the letters GE (for the king and his queen, Elizabeth) were picked out in red lights above it, with the power coming from a generator at the foot of the hill. The red letters were lit up for five seconds, followed by the floodlights for ten seconds, in a repeating pattern.
The figure was featured in The Timelords music video for "Doctorin' the Tardis".
Thirteen such white horses are known to have existed in Wiltshire. Of these, eight can still be seen, while the others have grown over. The Cherhill White Horse is maintained and saved from this fate by Cherhill parish council. Perhaps most notable out of the eight, along with the Cherill white horse, is Westbury White Horse.
The hill above the horse now belongs to the National Trust.
Another nearby white horse at Alton Barnes is based on the Cherhill White Horse.
Read more about this topic: Cherhill White Horse
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“This above all makes history useful and desirable: it unfolds before our eyes a glorious record of exemplary actions.”
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—Pierre Bayle (1647–1706)
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
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