History
John Marius Wilson's Imperial Gazetteer of England and Wales (1870-1872) says -
| “ | CHATSWORTH, an extra-parochial tract, containing a grand seat of the Duke of Devonshire, in Bakewell district, Derby; on the river Derwent, 3½ miles NE of Bakewell. Pop., 53. Houses, 8. The domain was held for the Crown at the Conquest by William Peveril; passed to the Leches and the Agards; and was purchased, in the 16th century, by Sir William Cavendish. A quadrangular mausion, defended by towers, was founded on it by Sir William, and completed by his widow, the famous Countess of Shrewsbury; was the prison, for several years, of Mary Queen of Scots; was the prison also of Marshal Tallard, taken at Blenheim; was held alternately by the parliamentarians and the royalists in the civil wars; and was, for some time, the abode of Hobbes of Malmsbury, as family tutor, and the place where he wrote his ' ' Wonders of the Peak;" but has entirely disappeared. The present mansion was chiefly built in 1687-1706, by the first Duke of Devonshire, after designs by Talman and Wren... | ” |
John Bartholomew's Gazetteer of the British Isles says -
| “ | Chatsworth, par., N. Derbyshire, on river Derwent, 2½ miles NE. of Bakewell and 21½ miles NW. of Derby, 1292 ac. (45 water), pop. 60. Chatsworth Hall, seat of the Duke of Devonshire, is one of the noblest residences in England. The park is over 11 miles in circuit, and the gardens cover an area of 12 ac. Mary Queen of Scots was imprisoned in the old mansion (1570-84). The present edifice was begun in 1688, and was finished in 1840, the additions being made at long intervals. | ” |
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“The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?”
—Ralph Waldo Emerson (1803–1882)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“We don’t know when our name came into being or how some distant ancestor acquired it. We don’t understand our name at all, we don’t know its history and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration.”
—Milan Kundera (b. 1929)