Plot
One spring, on a farm in Maine, Fern Arable (Dakota Fanning) learns that her father plans to kill the runt of a litter of newborn pigs. She successfully begs him to spare its life. He gives it to her, who names him Wilbur and raises him as her pet. To her regret, when he grows into an adult pig, she is forced to take him to the Zuckerman farm, where he is to be prepared as dinner in due time.
Charlotte A. Cavatica (Julia Roberts), a spider, lives in the space above Wilbur's sty in the Zuckermans' barn; she befriends him and decides to help prevent him from being eaten. With the help of the other barn animals, including a rat named Templeton (Steve Buscemi), she convinces the Zuckerman family that Wilbur is actually quite special, by spelling out descriptions of him in her web: "Some pig", "Terrific", "Radiant" and "Humble". She gives her full name, revealing her as a barn spider, an orb-weaver spider with the scientific name Araneus cavaticus.
The Arables, Zuckermans, Wilbur, Charlotte, and Templeton go to a fair, where Wilbur is entered in a contest. While there, Charlotte produces an egg sac. She cannot return home because she is dying. Wilbur tearfully says goodbye to her but manages to take her egg sac home, where hundreds of offspring emerge. Most of the young spiders soon leave, but three, named Joy, Aranea, and Nellie, stay and become Wilbur's friends.
Read more about this topic: Charlotte's Web (2006 Film)
Famous quotes containing the word plot:
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)