Reception
The general Swedish reception was positive, with more or less a critical consensus claiming that it stood out as the winner among the films competing over a similar target audience, being released around the same time as Rock-A-Doodle, The Rescuers Down Under and An American Tail: Fievel Goes West. The playful style and rich ideas were complimented, and the poetic background art by Peter Gissberg was particularly praised.
Dagens Nyheter claimed that although it might lack the virtuosity of Disney's films, it is to its credit that it also lacks their sentimentality and delight for violence. And further, that it is "pretty sophisticated when it allows the sportively drawn characters to appear against a backdrop of aquarellic soft nature poetry, signed by Peter Gissberg."
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Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)