Charlie Midnight - Writer

Writer

  • JAMEY JOHNSON: "My Way To You" ("The Guitar Song" Album) - Writer
  • CHER: "Welcome To Burlesque" ("Burlesque" Feature Film) - Writer
  • JAMES BROWN: “Living In America” (“Gravity” Album) - Writer
  • BILLY JOEL: “Why Should I Worry” (“Oliver & Company,” Disney animated feature) – Writer
  • BRITNEY SPEARS: "Shadow" ("In The Zone" album) - Writer
  • BARBRA STREISAND: 2012 Back To Brooklyn Tour - Co-Wrote Specialty Lyrics About Brooklyn
  • CHRISTINA AGUILERA: “This Year” (Christmas album, “My Kind of Christmas") - Writer
  • JONI MITCHELL: “How Do You Stop” (“Turbulent Indigo” Album) - Writer
  • JOE COCKER: “Unchain My Heart” Album, “One Night Of Sin” Album - Producer and Writer; “Love Lives On” (“Harry & The Hendersons” feature film) - Producer
  • CHAKA KHAN: “Can’t Stop The Street” (Top Ten Dance Single “Krush Groove” Soundtrack) - Writer
  • DOOBIE BROTHERS: “Cycles” Album - Writer and Producer of various tracks including “The Doctor” (Top Five Single); “Take Me To The Highway” Live Album - Producer of album, Writer of various tracks
  • PAUL YOUNG: “I’m Only Fooling Myself” (“Time to Time” Album”) - Writer
  • JOHN WAITE: “Sometimes” (“Rover” Album) - Writer
  • DAN HARTMAN: “I Can Dream About You” Album - Writer
  • HILARY DUFF: Metamorphosis Album, Writer & Producer on various songs including the hit song, "So Yesterday"; "Lizzie McGuire" Soundtrack, Writer and Producer; Hilary Duff Christmas Album ("Santa Claus Lane"), Writer & Producer
  • GEORGE THOROGOOD: "American Made" - Writer

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Famous quotes containing the word writer:

    “In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It’s the drowning out of false voices.”
    —Don Delillo (b. 1926)

    “The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life—and one is as good as the other.”
    —Ernest Hemingway (1899–1961)

    “The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
    —George Steiner (b. 1929)