His satirical painting of Sir Nicholas Serota, Sir Nicholas Serota Makes an Acquisitions Decision, has been widely reproduced in the media and become a Stuckist icon. It has been reviewed:
| “ | Thomson has painted what must be the masterpiece of Stuckism so far: Sir Nicholas Serota Makes an Acquisitions Decision. Here the slick handling and smartass irony of Britart are turned on its champion to make a very funny point and a rather good portrait. This is an example of what the Situationists called detournement, using your enemies' own weapons against him. | ” |
However, Sarah Kent (a staunch advocate of Britart) was less impressed with the satire: "One might forgive his puerile humour if Thomson didn't consider it a serious weapon ... cut the ranting and Thomson could be a reasonable painter."
Thomson pointed out in response, "it's reality. A few weeks after I did the painting, Tracey Emin was shown on TV getting very angry about an installation because someone had substituted another pair of knickers for hers ... That makes it a bit sad."
In October 2006, Thomson's painting of Serota was exhibited during the Stuckists' Go West show at Spectrum London gallery in London. It was suggested that this could be seen as revenge for the Tate's rejection of a Stuckist donation of 175 paintings the previous year.
Read more about this topic: Charles Thomson (artist)
Famous quotes containing the words sir, nicholas and/or decision:
“They warsled up, they warsled down,
Till Sir John fell to the ground,
And there was a knife in Sir Willie’s pouch,
Gied him a deadlie wound.”
—Unknown. The Twa Brothers (l. 5–8)
“‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse.
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds,
While visions of sugarplums danced in their heads;”
—Clement Clarke Moore (1779–1863)
“Every decision is liberating, even if it leads to disaster. Otherwise, why do so many people walk upright and with open eyes into their misfortune?”
—Elias Canetti (b. 1905)