Charles Rocket - Early Life and Career

Early Life and Career

Rocket was born in Bangor, Maine. He attended the Rhode Island School of Design in the late 1960s and was part of the Rhode Island underground culture scene in the 1970s that also included Talking Heads frontman David Byrne and film director Gus Van Sant.

Rocket had a son with his wife Beth. They were married on board the battleship USS Massachusetts anchored in Fall River, Massachusetts.

Rocket appeared from time to time with his friend Dan Gosch as superheroes "Captain Packard" and his faithful sidekick "Lobo". In a RISD yearbook, the dynamic duo appeared in a photo at the Rhode Island State House with then-Governor Frank Licht.

Rocket made several short films and fronted his band, the Fabulous Motels, on accordion (which he used in an SNL skit about a crazed criminal who uses an accordion to kill his dates and is killed himself by a bagpipe band). He later anchored the local news at Channel 12 WPRI and at KOAA-TV in Pueblo, Colorado under his own name, and WTVF Nashville under the name Charles Kennedy. He made his network debut on Saturday Night Live in 1980, using the name Charles Rocket. Later in his career Rocket would lend his accordion talents to the David Byrne-produced B-52's album Mesopotamia.

Read more about this topic:  Charles Rocket

Famous quotes containing the words early, life and/or career:

    I do not know that I meet, in any of my Walks, Objects which move both my Spleen and Laughter so effectually, as those Young Fellows ... who rise early for no other Purpose but to publish their Laziness.
    Richard Steele (1672–1729)

    Those who first introduced compulsory education into American life knew exactly why children should go to school and learn to read: to save their souls.... Consistent with this goal, the first book written and printed for children in America was titled Spiritual Milk for Boston Babes in either England, drawn from the Breasts of both Testaments for their Souls’ Nourishment.
    Dorothy H. Cohen (20th century)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)