Selected Works
- 1920-1922 - First monumental work, The Soul of France, winning National Prize and silver medal at the Salon
- 1925 - The Triumphal Dance of Pallas Athena and The Virgin of Peace exhibited at the Exposition Internationale des Arts Décoratifs et Industriels Modernes
- 1926 - Tower, Villemomble Church (Seine-St-Denis). Invention of direct carving in setting concrete
- 1928-1929 - Façade and bell tower, Elisabethville Church (Yvelines), with architect Paul Tournon
- 1928-1933 - bronze finial group Liberté - Égalité - Fraternité for the French Embassy, Belgrade, Serbia, for architect Roger-Henri Expert
- 1929 - Two Legendary Giants depicting the legendary Lydéric and Phinaert, bell tower, Lille (Nord) town hall. Also executed in direct carving of setting concrete.
- 1930 - Monumental fountain, Nemours Mansion and Gardens, Wilmington, Delaware, USA.
- 1930 - Marcella Miller du Pont, portrait bust in marble, University of Denver, Colorado, USA
- 1931 - War Monument for the RATP, Richelieu - Drouot (Paris Metro)
- 1931 - architectural bas-relief La gloire de la Seine, near Pont Neuf, Paris
- 1931 - Four human races in concrete, belltower, Notre-Dame-des-Missions-du-cygne d'Enghien, with architect Paul Tournon
- 1932 - Bust of Edouard Branly, Jardin du Luxembourg
- 1932 - Genie de la Mer (Spirit of the Sea), ocean liner SS Normandie, for French architect Roger-Henri Expert
- 1934-1935 - Decorations, church at Saint-Esprit (Paris, 12th arrondissement) and church of St-Louis, Marseille. Direct carving in concrete
- 1937 - exhibited The Elements, north wing of the Palais de Chaillot, Exposition Internationale
- 1950 - Monument to the Glory of the Resistance of the people of the Jura Mountains, Lons-le-Saunier (Jura)
- 1951 - Faculty of Medicine (Paris): three medallion reliefs. From this time onwards, he made many busts, portraits for medals, decorative schemes for school buildings etc.
- 1963 - La Antillaise (The West Indian Woman), Fort de France, Martinique
Read more about this topic: Charles Marie Louis Joseph Sarrabezolles
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“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
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“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
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