Charles Lederer - Screenwriting Career - Leading Screenplays

Leading Screenplays

His friendship with Hecht led to his being hired in 1931, when he was 20, to write additional dialogue for the film version of the 1928 play The Front Page. The film would be nominated for three Academy Awards, including Best Picture. In 1933, he made contributions to Hecht's screenplay for Topaze, along with many others, without being credited.

From 1940 to 1943 Lederer worked at MGM where he wrote a series of light comedies, usually centering on mismatched couples. Comrade X (1940), written in collaboration with Ben Hecht and directed by King Vidor is the story an American in Russia (Clark Gable) who falls in love with a streetcar conductor (Hedy Lamarr). He penned the screenplay for the classic 1951 science-fiction/horror film The Thing from Another World, directed largely by Howard Hawks but credited to Christian Nyby and co-wrote the original 1960's Ocean's 11. Lederer wrote or co-wrote screenplays (notably with Ben Hecht) for Howard Hawks's production of His Girl Friday (a remake of The Front Page), Gentlemen Prefer Blondes, and the Lewis Milestone remake of Mutiny on the Bounty, starring Marlon Brando. His Girl Friday has remained his most popular and critically acclaimed screenplay. At the suggestion of the films' director, Howard Hawks, Lederer changed the sex of the lead character in the play, Hildy Johnson, from male to female.

With Ben Hecht, he co-wrote the original Kiss of Death which was to feature the actor Richard Widmark's chilling debut as the psychopathic killer with a giggle. In addition, he wrote and directed the 1959 film Never Steal Anything Small, an adaptation of a play by Maxwell Anderson and Rouben Mamoulian, starring James Cagney. The Spirit of St. Louis was Lederer's last significant film work. The films that followed that were primarily vehicles for established stars.

Lederer was valued as a Hollywood screenwriter who produced lively, acerbic adaptations and worked well in collaboration with others. He was also a member of another circle of writers on the East Coast which included Moss Hart, George S. Kaufman, Howard Dietz, Robert Benchley, Dorothy Parker, and editor Harold Ross. These writers were to become the nucleus of the Algonquin Round Table.

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