Charles Henry Niehaus - Career

Career

Niehaus returned to America in 1881. By virtue of being a native Ohioan, he was commissioned to sculpt two statues of the recently assassinated President Garfield; one for Cincinnati (Garfield's home city), and the other, in another pose, for the National Statuary Hall Collection at the United States Capitol. He moved to Rome, Italy, where he worked on the commissions, and made a study of ancient sculpture. He modeled three major male nudes during his years in Rome, including The Scraper (1883) and Caestus (1883-85). He returned to New York City in 1885, and opened a studio.

In 1887, he created a statue of Ohioan William Allen, also for Statuary Hall. In later years, he was to place statues of Oliver P. Morton of Indiana (1900), John J. Ingalls of Kansas (1905), Zachariah Chandler of Michigan (1913), George W. Glick of Kansas (1914), Ephraim McDowell of Kentucky (1929), and Henry Clay of Kentucky (1929) in the collection.

Monuments by Niehaus can be found in many American cities. Several of the works authored by him are equestrian statues. As was the case with other sculptors of his day he also fashioned a fair amount of architectural sculpture.

In 1900 Niehaus married noted horticulturalist Regina Armstrong and moved to New Rochelle, New York where they lived until his death in 1935.

Read more about this topic:  Charles Henry Niehaus

Famous quotes containing the word career:

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)