Life
Born in Ashtabula, Ohio, Burchfield was raised by his widowed mother in Salem, Ohio. Most of his early works were done at this house, where he lived from the ages of five to 28, and which has since been converted into a museum. While he did think of being a nature writer in high school, he eventually focused entirely on the visual aspect of his creativity, writing short descriptive pieces for the painting on the back of the mount. Stimulated by the nature descriptions of others, his preferred English writers were Thoreau and Willa Cather and later he developed a passion for reading works by Finnish writers describing nature.
Burchfield graduated from the Cleveland Institute of Art in 1916. Later in life he acknowledged the profound effect on his own development by a teacher at the CIA, the artist Henry Keller. Keller led a generation of Ohio watercolor painters of the Cleveland School which included Burchfield.
On becoming engaged, Burchfield moved to Buffalo, New York in 1921, where he was employed as a designer at the H.M. Birge wallpaper company. The following year he married Bertha Kenreich in Greenford, Ohio. In 1928 with a fifth child on the way, he approached artist-gallerist Frank Rehn to see whether he could afford to paint full-time by selling through the Rehn gallery in New York. Though the decision to leave Birge preceded the Great Depression works continued to sell.
In 1925, Burchfield had moved from Buffalo to the adjacent suburb of West Seneca, New York, spending the rest of his life in the rural neighborhood of Gardenville. He is buried in Oakwood Cemetery in the Village of East Aurora, New York.
Read more about this topic: Charles E. Burchfield
Famous quotes containing the word life:
“But the life of Spirit is not the life that shrinks from death and keeps itself untouched by devastation, but rather the life that endures it and maintains itself in it. It wins its truth only when, in utter dismemberment, it finds itself.... Spirit is this power only by looking the negative in the face, and tarrying with it. This tarrying with the negative is the magical power that converts it into being. This power is identical with what we earlier called the Subject.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“The sentiment of virtue is a reverence and delight in the presence of certain divine laws. It perceives that this homely game of life we play, covers, under what seem foolish details, principles that astonish.”
—Ralph Waldo Emerson (1803–1882)
“This life we live is a strange dream, and I don’t believe at all any account men give of it.”
—Henry David Thoreau (1817–1862)