Teaching and Performance
Alexander has given readings, lectures, and workshops at colleges, universities, art centers, and other locations, including the Univ. of Alabama, the Univ. of Arizona, the State Univ. of New York at Buffalo, Small Press Traffic in San Francisco, Canessa Gallery in San Francisco, the University of Washington, Pacific Lutheran Univ. in Tacoma, Denver Univ., Scottsdale Center for the Arts, Toronto (Canada) Art Studio, and more. Alexander has also performed poetry in galleries and art centers, has collaborated with musicians and dancers, and in general brings to poetry a broad sense of artistic and collaborative possibility. Such collaborations include a poem/visual art mark commissioned by the Phoenix Public Library, created with artist Cynthia Miller; and collaborations on several projects with Orts Theater of Dance, including Urban Gaits and Balanced Edge. His poem, Aviary Corridor, set to music for string quartet, piano, flute, and soprano voice by the American composer Tim Risher, premiered at the University of Washington in April 2007, with Alexander as writer/artist in residence. He read for the Double Change series in Paris in June 2007 and participated in the Paris TAMAAS Poetry Translation Seminar.
Alexander is a part time faculty member at Naropa University’s Jack Kerouac School of Disembodied Poetics in Boulder, Colorado, Pima Community College and the University of Arizona Poetry Center. He also teaches independent courses to the community in creative writing, literature, and the book arts.
Read more about this topic: Charles Alexander (poet And Book Artist)
Famous quotes containing the words teaching and/or performance:
“There is no teaching until the pupil is brought into the same state or principle in which you are; a transfusion takes place; he is you, and you are he; then is a teaching; and by no unfriendly chance or bad company can he ever lose the benefit.”
—Ralph Waldo Emerson (1803–1882)
“Having an identity at work separate from an identity at home means that the work role can help absorb some of the emotional shock of domestic distress. Even a mediocre performance at the office can help a person repair self-esteem damaged in domestic battles.”
—Faye J. Crosby (20th century)