Building and Courtyard
The Chapelle expiatoire stands on a slight rise. There are two buildings separated by a courtyard which is surrounded by an enclosed cloister-like precinct, a peristyle, that isolates the chapel from the outside world. The building on Rue Pasquier is the entrance. There is an inscription above the entrance, which reads (translated):
| “ | King Louis XVIII raised this monument to consecrate the place where the mortal remains of King Louis XVI and Queen Marie-Antoinette, transferred on 21 January 1815 to the royal tomb of Saint-Denis, reposed for 21 years. It was finished during the second year of the reign of Charles X, year of grace 1826. | ” |
In the courtyard are cenotaphs to those who were known to be buried in this location.
The chapel itself is entered through a pedimented tetrastyle portico, of a sombre Doric order. It contains a domed space at the center of a Greek cross, formed by three coffered half-domed apses with oculi that supplement the subdued natural light entering through the skylight of the main dome. The cubic, semicylindrical and hemispheric volumes recall the central planning of High Renaissance churches as much as they do a Greco-Roman martyrium. White marble sculptures of the king and queen in ecstatic attitudes were made by François Joseph Bosio and Jean-Pierre Cortot. There is also a bas-relief by French sculptor François-Antoine Gérard (who also did some of the other carvings) showing the exhumation and removal of the remains of Louis XVI and Marie Antoinette to the Basilica of St Denis.
The crypt contains a black and white marble altar intended to mark the place where the royal remains were found.
The Chapelle expiatoire is without doubt the most uncompromising late neoclassical religious building of Paris. Chateaubriand found it "the most remarkable edifice in Paris". The chapel's severe geometry is unrelieved by sculpture, as can be seen by the view from rue d'Anjou.
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