Music Career
Prior to meeting Pedro Yanowitz and starting Morningwood with him, Claret says she was attending film school with an eye on directing music videos. She directed the Morningwood music video for "Take Off Your Clothes" & "Snobby Little Elf", as well as claymation video for "Little Hard On's" by The Left Rights . In 2002 Claret appeared in the short film, American Mod. She is featured on the song "Wait (The Nexus)" by Mike Relm. Morningwood completed their final tour March 3 through March 11 opening for Mindless Self Indulgence with their final show at Irving Plaza in New York, NY on March 11, 2012.
On March 5, 2012 Vevo featured Chantal's debut video "Pop Pop Bang Bang directed by David Yarovesky for her solo Ep "The Pleasure Seeker" was released on The End Records on April 3, 2012 Her debut solo record The One, The Only... was released on June 19, 2012 ."Bite Your Tongue" can be heard in commercials for Degrassi: The Next Generation Season 12 Promo as well as ESPN First Take "Honey Honey" & "Pleasure Seeker" have been featured on VH1's Mob Wives.
"Pop Pop Bang Bang" is featuring on Perez Hilton's first music compilation entitled Pop Up being released on August 7.
Beginning Sept, 29 2012 Claret will being a three month residency at Hard Rock Hotel and Casino (Las Vegas) in Las Vegas at their new music venue, Vinyl.
Read more about this topic: Chantal Claret
Famous quotes containing the words music and/or career:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)