Culture and Ceramics
Generally the ceramics were flat with a rough surface and sometimes with a red diluted slip. The decoration was a relief, with the application of buttons or clay figurines, supplemented with incisions or circular stamps. The shapes were open dishes and jugs with narrow necks, that sometimes show rustic faces.
The land where the Chanka culture was located was a strategic place from where they dominated the territory and could easily develop defensive actions. The location was related to nearby water sources, and they could take advantage of the resources offered by the land, and the presence of several ecological zones in which they were able to use to cultivate plants and rear animals.
Damián de la Bandera said about them:
They all live between the highest and the lowest points in ground cooler than hot, in high places and valleys caused by the rains, where they enjoy both extremes, of the colder land, to graze the domestic cattle, those that have them, and (those that don't)hunt the wild ones, and of the hotter land, to sow seeds, at their time. The villages are no bigger than the water and land will allow and in many of them no more than ten more indians could live for lack of water and ground.
The same Damián tells us that among these people there were three major trades: potters, silversmiths or metal workers, and carpenters. These trades endured until colonial times.
Read more about this topic: Chanka People
Famous quotes containing the word culture:
“No culture on earth outside of mid-century suburban America has ever deployed one woman per child without simultaneously assigning her such major productive activities as weaving, farming, gathering, temple maintenance, and tent-building. The reason is that full-time, one-on-one child-raising is not good for women or children.”
—Barbara Ehrenreich (b. 1941)