Tone Sandhi
Sandhi in Wu dialects tends to be fairly complex as compared to Mandarin. While not nearly as complex as the Suzhou dialect of Wu, Changzhou dialect is no exception.
In the case of pairs of syllables have the stress on the second syllable, the only notable changes are the second syllable changing from (523) to (52) in the case of the fourth tone or from (13) to (11) with the second tone.
| 1st | 3rd | 4th | 6th | 2nd | 5th | 7th | |
|---|---|---|---|---|---|---|---|
| first | 33:33 | 55:32 | 55:32 | 55:3 | 33:33 | 55:32 | 55:3 |
| third | 53:22 | 53:22 | 53:22 | 53:2 | 53:22 | 53:22 | 53:2 |
| fourth | 55:55 | 53:22 | 55:55 | 55:5 | 55:55 | 55:55 | 55:5 |
| sixth | 5:55 | 5:55 | 5:42 | 5:5 | 5:55 | 5:42 | 5:5 |
| second | 11:33 | 11:55 | 11:33 | 11:5 | 11:33 | 11:33 | 1:3 |
| fifth | 32:23 | 32:23 | 35:32 | 32:23 | 32:13 | 35:32 | 32:23 |
| seventh | 23:33 | 23:33 | 23:42 | 23:3 | 23:33 | 23:32 | 23:3 |
Read more about this topic: Changzhou Dialect, Phonetics and Phonology, Tones
Famous quotes containing the word tone:
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)