Change Ringing - History and Modern Culture of Change Ringing

History and Modern Culture of Change Ringing

Change ringing as we know it today emerged in England in the 17th century. To that era we can trace the origins of the earliest ringing societies, such as the Lincoln Cathedral Guild, which claims to date to 1612 or the Antient Society of Ringers of St Stephen in Bristol which was founded in 1620 and lasted as a ringing society until the late 19th century. The recreation began to flourish in earnest in the Restoration era; an important milestone in the development of method ringing as a careful science was the 1668 publication by Richard Duckworth and Fabian Stedman of their book Tintinnalogia, which promised in its subtitle to lay down "plain and easie Rules for Ringing all sorts of Plain Changes." Stedman followed this in 1677 with another famous early guide, Campanalogia.

Throughout the years since, the group theoretical underpinnings of change ringing have been pursued by mathematicians. Bells have been installed in towers around the world and many rings in the British Isles have been augmented to ten, twelve, fourteen, or even sixteen bells. Today change ringing is, particularly in England, a popular and commonplace sound, often issuing from a church tower before or after a service or wedding. While on these everyday occasions the ringers must usually content themselves with shorter "touches," each lasting a few minutes, for special occasions they often attempt a quarter-peal or peal, lasting approximately 45 minutes or three hours respectively. If a peal attempt succeeds, towers sometimes mark the occasion with a peal board mounted on the wall of the ringing chamber; at St Peter Mancroft in Norwich there is one documenting what is generally considered to be the first true peal: 5040 changes of Plain Bob Triples (a method still popular today), rung 2 May 1715. Today over 4000 peals are rung each year.

Read more about this topic:  Change Ringing

Famous quotes containing the words history, modern, culture, change and/or ringing:

    We have need of history in its entirety, not to fall back into it, but to see if we can escape from it.
    José Ortega Y Gasset (1883–1955)

    The higher processes are all processes of simplification. The novelist must learn to write, and then he must unlearn it; just as the modern painter learns to draw, and then learns when utterly to disregard his accomplishment, when to subordinate it to a higher and truer effect.
    Willa Cather (1873–1947)

    A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.
    Jacques Barzun (b. 1907)

    My love is fair, my love is gay,
    As fresh as bin the flowers in May
    And of my love my roundelay,
    My merry, merry, merry roundelay,
    Concludes with Cupid’s curse,—
    ‘They that do change old love for new
    Pray gods they change for worse!’
    George Peele (1559–1596)

    If I play hard to get, soon the phone stops ringing altogether.
    Mason Cooley (b. 1927)