Change Ringing in Literature and Television
The mystery novel The Nine Tailors by Dorothy L. Sayers (1934) contains a great deal of information on change-ringing. Her fictional detective, Lord Peter Wimsey, demonstrates his skill at ringing, and the solution to the central puzzle of the book rests in part upon his knowledge of the patterns of change ringing.
Connie Willis, who frequently and overtly references Sayers in To Say Nothing of the Dog (1997), features bell ringers in her earlier novel Doomsday Book (1992); a group of American women led by a Mrs. Taylor frequently appears practising for or ringing both handbells and changes.
The British television series Midsomer Murders aired an episode in the fifth season on a series of murders within a bell-ringing team, in Ring Out Your Dead.
In the science-fiction novel Anathem by Neal Stephenson (2008) changes are rung in a cloistered monastery for mathematicians to signal different ceremonies.
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Famous quotes containing the words change, ringing, literature and/or television:
“Indeed, I thought, slipping the silver into my purse ... what a change of temper a fixed income will bring about. No force in the world can take from me my five hundred pounds. Food, house and clothing are mine for ever. Therefore not merely do effort and labour cease, but also hatred and bitterness. I need not hate any man; he cannot hurt me. I need not flatter any man; he has nothing to give me.”
—Virginia Woolf (18821941)
“Not in vain the distance beacons. Forward let us range,
Let the great world spin for ever down the ringing grooves of
change.”
—Alfred Tennyson (18091892)
“One thing that literature would be greatly the better for
Would be a more restricted employment by authors of simile and
metaphor.”
—Ogden Nash (19021971)
“His [O.J. Simpsons] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)