Change Ringing in Literature and Television
The mystery novel The Nine Tailors by Dorothy L. Sayers (1934) contains a great deal of information on change-ringing. Her fictional detective, Lord Peter Wimsey, demonstrates his skill at ringing, and the solution to the central puzzle of the book rests in part upon his knowledge of the patterns of change ringing.
Connie Willis, who frequently and overtly references Sayers in To Say Nothing of the Dog (1997), features bell ringers in her earlier novel Doomsday Book (1992); a group of American women led by a Mrs. Taylor frequently appears practising for or ringing both handbells and changes.
The British television series Midsomer Murders aired an episode in the fifth season on a series of murders within a bell-ringing team, in Ring Out Your Dead.
In the science-fiction novel Anathem by Neal Stephenson (2008) changes are rung in a cloistered monastery for mathematicians to signal different ceremonies.
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Famous quotes containing the words change, ringing, literature and/or television:
“True self is the part of us that does not change when circumstances do.”
—Mason Cooley (b. 1927)
“Love is the hardest thing in the world to write about. So simple. Youve got to catch it through details, like the early morning sunlight hitting the gray tin of the rain spout in front of her house. The ringing of a telephone that sounds like Beethovens Pastoral. A letter scribbled on her office stationery that you carry around in your pocket because it smells of all the lilacs in Ohio.”
—Billy Wilder (b. 1906)
“Views of women, on one side, as inwardly directed toward home and family and notions of men, on the other, as outwardly striving toward fame and fortune have resounded throughout literature and in the texts of history, biology, and psychology until they seem uncontestable. Such dichotomous views defy the complexities of individuals and stifle the potential for people to reveal different dimensions of themselves in various settings.”
—Sara Lawrence Lightfoot (20th century)
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)