Original Series
Designed to compete with DC Comics' successful launches House of Mystery and House of Secrets, Chamber of Darkness, like its companion comic Tower of Shadows, sold poorly despite such notable talent. After its first few issues, the title began including reprints of "pre-superhero Marvel" monster stories and other SF/fantasy tales from Marvel's 1950s and early ' 60s predecessor, Atlas Comics.
The anthology, in addition to running original stories, also included writer Roy Thomas' and penciler Don Heck's loose adaptation of Edgar Allan Poe's "The Masque of the Red Death", as "The Day of the Red Death", in issue #2 (Dec. 1969). Writer Denny O'Neil and Tom Palmer — a renowned inker in a rare example of his both penciling and inking — adapted the Poe story "The Tell-Tale Heart" as "The Tell Tale Heart" in issue #3 (Feb. 1970). Thomas and EC Comics veteran Johnny Craig adapted H. P. Lovecraft's "The Music of Erich Zann" as "The Music From Beyond" in #5 (June 1970).
Industry notable Jack Kirby, in a rare instance of scripting for Marvel before leaving for rival DC Comics for a time in 1970, wrote and penciled "The Monster" in #4 (April 1970), and "And Fear Shall Follow" in #5 (June 1970), both inked by John Verpoorten. Kirby, inked by fellow Golden Age great Bill Everett, also drew the latter issue's cover. Everett himself wrote and inked (with penciler Dan Adkins) the story "Believe It...Or Not" in #8 (Dec. 1970).
Marvel published the all-reprint Chamber of Darkness King-Size Special #1 (Jan. 1972).
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