Chalmette High School - Cultural Arts Center

Cultural Arts Center

A modernist, 90,000-square-foot (8,400 m2) pillared cultural arts building opened at Chalmette High School in 2011. Clad in brick, stainless steel panels and cement plaster, and complete with a glass atrium lobby, the $28.7 million building on East Judge Perez Drive features a 420-seat theater as its centerpiece. It was paid for through FEMA and Community Development Block Grant funds and private donations.

Designed by Waggonner & Ball Architects of New Orleans and constructed by Mapp Construction of Baton Rouge, work began in March 2009 and was substantially completed by December. It includes a 7,980-square-foot (740 m2) public library on the first floor, fronting Judge Perez Drive.

In addition to the larger theater, there is a 120-seat technology center that has a large cinema screen. Students can plug in laptops at their seats while listening to lectures. Upstairs, there is a choral room, two practice rooms and an instrumental music ensemble room, each soundproof and equipped with recording equipment. There are two dance studios, one that has the same dimensions as the large theater's stage, thereby providing students with a separate practice space. The large theater is designed with acoustics in the forefront, according to its architect, David Waggonner. It sports a classic proscenium arch, an orchestra pit and a fly loft that will allow students to hoist scenery and lights. A student-run coffee shop will provide concessions during shows.

Read more about this topic:  Chalmette High School

Famous quotes containing the words cultural, arts and/or center:

    By Modernism I mean the positive rejection of the past and the blind belief in the process of change, in novelty for its own sake, in the idea that progress through time equates with cultural progress; in the cult of individuality, originality and self-expression.
    Dan Cruickshank (b. 1949)

    I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.
    Anna Quindlen (b. 1952)

    This is a strange little complacent country, in many ways a U.S.A. in miniature but of course nearer the center of disturbance!
    Eleanor Roosevelt (1884–1962)