Television
Due to television’s higher level censorship chainsaw violence is rare and usually only described with both the attack and the damaged body left unseen. An example of this is an episode ("Born Again") of The X-Files revolving around the ghost of a police officer dismembered with a chainsaw by corrupt colleagues, all flashbacks skip over the actual murder.
One notable exception is the series Dexter in which chainsaw attacks are occasionally seen, most notably in dreams and flashbacks regarding the protagonist’s mother’s death. This is due to the larger amount of content freedom given to programs created for pay-television, of which the series is one. Dexter Morgan, also uses a chainsaw at some points.
Chainsaws have made appearances in cartoon series, usually as a source of comedy. These have ranged from more young adult audience fare (The Simpsons, Family Guy) to even children’s series, for instance the series The Grim Adventures of Billy & Mandy contains a chainsaw wielding character based on Evil Dead’s protagonist Ash. In the anime and manga adaptation of Kuroshitsuji, a chainsaw was prominently featured as Grell Sutcliff's personalized Deathscythe.
CSI:Crime Scene Investigation has used chainsaws in one storyline, highlighting their potential for serious accidents. What was apparently the massacre of two victims by a third perpetrator was then revealed to be an inexperienced operator who had caused a kickback accident that killed both him and a bystander.
Read more about this topic: Chainsaws In Popular Culture
Famous quotes containing the word television:
“We cannot spare our children the influence of harmful values by turning off the television any more than we can keep them home forever or revamp the world before they get there. Merely keeping them in the dark is no protection and, in fact, can make them vulnerable and immature.”
—Polly Berrien Berends (20th century)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)