C'est L'amour - Background and Release

Background and Release

In 1987, Alec Mension, a Belgian artist who had already released several singles in his country, recorded in Tony Visconti studio, in London, a song he wrote in English-language, entitled "Don't walk away". However, no recording company agreed to sign a contract with him, because nobody thought that the song had potential. Mension decided to re-record the song adding French voices to the English mix. He then re-wrote the lyrics in French-language along with his two brothers, Benoît and Hubert. The song was re-entitled "C'est l'amour".

The song was eventually released in early September 1987. The cover art was made by Steve Sauvage who also made those for Muriel Dacq's first two singles. "C'est l'amour" was re-issued in 1993 in remixed versions named "Unity Power mixes". "C'est l'amour" was part on many French and Belgian compilations released in the 2000s, such as Absolument 80: Tubes français Vol. 1, Top 50 vol.3, Nos belges années 1978-1988, volume 1, Bel 80 - Het beste uit de Belpop van 1987, Best of - Les Tubes Fête, Club 80's and 100 Chansons Françaises. In 2007 and 2008, the song was performed at the RFM Party 80 concert tour in which numerous artists of the 1980s, including Alec Mension, participated.

Read more about this topic:  C'est L'amour

Famous quotes containing the words background and, background and/or release:

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)

    The shallow consider liberty a release from all law, from every constraint. The wise man sees in it, on the contrary, the potent Law of Laws.
    Walt Whitman (1819–1892)