Music
Due to the many years of the civil war, the culture is heavily influenced by the countries neighboring South Sudan. Many South Sudanese fled to Ethiopia, Kenya and Uganda where they interacted with the nationals and learnt their languages and culture. For most of those who remained in the country, or went North to Sudan and Egypt, they greatly assimilated Arabic culture.
It is also worth noting that most South Sudanese kept the core of their culture even while in exile and diaspora. Traditional culture is highly upheld and a great focus is given to knowing one's origin and dialect. Although the common languages spoken are Arabi Juba and English, Kiswahili is being introduced to the population to improve the country's relations with its East African neighbors. Many music artists from Central Equatoria use English, Kiswahili, Arabi Juba, their dialect or a mix of all.
Popular artists from Central Equatoria are like Reflections BYG, a beautiful fresh voice rocking the Zouk floor with her first single Ng'ume which means Smile received high hits in the first few days of its release. She has an amazing strong voice for the popular Jazz as well as Afrobeat and Hip Hop; De-vine Is a new songstress from the same county of Kajo Keji singing R&B and Zouk. Although the women are underrepresented, these two talents are putting the state back on the charts. Emmanuel Lasu is one of the popular male talent that central Equatoria has produced.
Read more about this topic: Central Equatoria
Famous quotes containing the word music:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)
“The music of an unhappy people, of the children of disappointment; they tell of death and suffering and unvoiced longing toward a truer world, of misty wanderings and hidden ways.”
—W.E.B. (William Edward Burghardt)