Celia Imrie - Theatre

Theatre

  • 1976 – The Adventures of Alice
  • 1976 – Sherlock Holmes
  • 1976 – Now Here's A Funny Thing
  • 1977 – The Boyfriend
  • 1977 – Love's Labour's Lost
  • 1977 – Henry V
  • 1978 – 'Tis Pity She's a Whore
  • 1978 – Macbeth
  • 1978 – Cabaret
  • 1978 – As You Like It
  • 1979 – Pygmalion
  • 1979 – The Good Humoured Ladies
  • 1980 – Seduced
  • 1981 – A Waste of Time
  • 1981 – Heaven and Hell
  • 1982 – The Screens
  • 1982 – Philosophy of the Boudoir
  • 1982 – Puss In Boots
  • 1982 – Puntila and Matti, Master and Servant
  • 1983 – Sirocco
  • 1983 – The Merchant of Venice
  • 1983 – Custom of the Country
  • 1983 – Arms and the Man
  • 1983 – Webster
  • 1984 – When I Was A Girl I Used To Scream and Shout
  • 1984 – The Merchant of Venice
  • 1984 – Alfie
  • 1985 – The Philanthropist
  • 1985 – Particular Friendships
  • 1986 – Last Waltz
  • 1987 – Yerma
  • 1987 – School For Wives
  • 1988 – The Madwoman of Chaillot
  • 1988 – Doctor Angelus
  • 1990 – No one Sees The Video
  • 1990 – Hangover Square
  • 1990 – In Pursuit of The English
  • 1991 – The Sea
  • 1995 – The Hothouse
  • 1996 – Habeas Corpus
  • 1997 – Dona Rosita The Spinster
  • 1998 – The School for Scandal
  • 2003 – Unsuspecting Susan
  • 2003 – The Way of The World
  • 2005 – Unsuspecting Susan
  • 2005 – Acorn Antiques The Musical!
  • 2006 – Singular Women
  • 2009 – Mixed Up North
  • 2009 – Plague Over England
  • 2010 – The Rivals
  • 2010 – Polar Bears
  • 2010 – Hay Fever
  • 2011 – Drama at Inish
  • 2011 - An Audience with Celia Imrie - Joined by Fidelis Morgan at the Glasgow Citizens Theatre
  • 2011/2012 – Noises Off

Imrie appeared as a guest on Desert Island Discs on Radio 4 on 13 February 2011.

Read more about this topic:  Celia Imrie

Famous quotes containing the word theatre:

    “The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
    —David Hare (b. 1947)

    “People fall out of windows, trees tumble down,
    Summer is changed to winter, the young grow old
    The air is full of children, statues, roofs
    And snow. The theatre is spinning round,
    Colliding with deaf-mute churches and optical trains.
    The most massive sopranos are singing songs of scales.”
    —Wallace Stevens (1879–1955)

    “... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.”
    —Helen Hayes (1900–1993)