Production
Sober House is a continuation of Celebrity Rehab, in which celebrities with substance addictions transition from a drug-rehabilitation center to a less structured, drug-free, sober living home, which is housed in a mansion in the Hollywood Hills. The facility, at which the recovering addicts stay for 30 days, is run by House Manager Jennifer Gimenez and rehab tech Will Smith, a former stuntman. Bob Forrest serves as the head counselor. Dr. Drew Pinsky provides outpatient counseling to the recovering addicts during their time in the house.
The production employs a camera crew for each cast member. Producers filmed 2,500 to 3,000 hours of footage for the nine 43-minute episodes of the first season. The camera crews are instructed not to interfere with the cast, but to alert producers if they observe unsafe behavior. This policy is what led to the calling the police on Steven Adler during the first season.
As with Celebrity Rehab, the cast members are paid for their appearance on the show.
Pinsky announced in December 2010 that he has stopped production of future seasons of Sober House, as it was deemed too intrusive, and interfered with the treatment plan.
Read more about this topic: Celebrity Rehab Presents Sober House
Famous quotes containing the word production:
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)