Cornwall, Paris and London
Morris went to Zennor in Cornwall, where he studied plants and painted water colours. There he became friendly with the painter Frances Hodgkins, whose portrait he painted. At the time of the Armistice with Germany in November 1918 he was in London, when he met the painter Arthur Lett-Haines. Morris and Lett Haines fell in love and began a life-time relationship, and shortly afterwards Morris moved in with Haines and his second wife, Aimee. The trio planned to go to America, but in the event Aimee Lett-Haines left on her own, and the two men moved to Cornwall. They converted a row of cottages at Newlyn into a larger house and stayed there until the end of 1920, when they moved to Paris.
Paris was their base for the next five years, when they travelled extensively in Europe. Morris also studied at the Academies Moderne and La Grande Chaumiere. Morris had successful exhibitions in London in 1924 and 1926, and later in that year they settled back in Britain.
After staying with his sister Nancy Morris in Corfe Morris and Haines found a studio in London at Great Ormond Street to which they moved in 1927. Morris became a member of the London Artists Association and the Seven and Five Society, for which he was proposed by Winifred Nicholson and seconded by Ben Nicholson. He became especially friendly with the painter Christopher Wood, and renewed friendship with Frances Hodgkins. At the end of the 1920s Morris became involved with much commercial work designing textiles for Cresta Silks with Paul Nash and posters for Shell and B. P..
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