Portrayals in Film and Television
The first fictionalized version of Cecil Price appeared in the 1975 CBS 2-part TV drama, Attack on Terror: The FBI vs. the Ku Klux Klan. In this version, Ned Beatty portrayed Sayville Deputy Ollie Thompson.
In the 1988 movie Mississippi Burning, the character of Deputy Clinton Pell was a fictionalized version of Cecil Price. The Pell character was portrayed by Brad Dourif with the part of Pell's wife played by Frances McDormand.
In the 1990 TV movie Murder in Mississippi, Deputy Winter—the third fictionalized version of Cecil Price, was portrayed by Royce D. Applegate.
Archival footage of Price appears in the 30 for 30 documentary The Best that Never Was, which chronicles the life of Marcus Dupree. The film begins with a brief mention of Price's involvement in the aforementioned murders, then brings it full circle, explaining that Price helped Dupree get a commercial driver's license, allowing Dupree to establish a career after his retirement from the NFL.
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Famous quotes containing the words portrayals, film and/or television:
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“To read a newspaper for the first time is like coming into a film that has been on for an hour. Newspapers are like serials. To understand them you have to take knowledge to them; the knowledge that serves best is the knowledge provided by the newspaper itself.”
—V.S. (Vidiadhar Surajprasad)
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)