Cease To Begin Tracks in Popular Culture
- "Cigarettes, Wedding Bands" was used in the game Guitar Hero 5.
- "Is There a Ghost" was used in Season 2 of the TV series Fringe in episode 21, "Northwest Passage."
- "Is There a Ghost" and "No One's Gonna Love You" are available as downloads for the Rock Band series via the Rock Band Network.
- "Is There A Ghost" was used in the 2010 film Due Date.
- "No One's Gonna Love You" was used in Season 5 of the TV series One Tree Hill in episode 6, "Don't Dream It's Over"
- "No One's Gonna Love You" was used in the 2009 film Zombieland.
- "No One's Gonna Love You" was used in Season 1 of the TV series Chuck in episode 10, "Chuck Versus the Nemesis."
- "No One's Gonna Love You" was used in Season 5 of the TV series Numb3rs in episode 23, "Angels and Devils"
- "No One's Gonna Love You" was used in the 2011 film Prom.
- "The General Specific" was used in Season 1 of the TV series Gossip Girl in episode 11, "Roman Holiday."
- "The General Specific" was used in Season 1 of the TV series Chuck, in episode 3, "Chuck Versus the Tango."
- "The General Specific" was played over the credits of the 2009 documentary film Winnebago Man.
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Famous quotes containing the words tracks, popular and/or culture:
“Truth is one, but error proliferates. Man tracks it down and cuts it up into little pieces hoping to turn it into grains of truth. But the ultimate atom will always essentially be an error, a miscalculation.”
—René Daumal (1908–1944)
“All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.”
—Roland Barthes (1915–1980)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)