1970s
In 1973, before Hilly's on the Bowery became CBGB, two locals, Bill Page and Rusty McKenna, convinced Kristal to allow them to book concerts. Although the term "punk rock" was not applied to these acts, Kristal's son believes they helped lay the musical foundation for the bands that followed. After the Mercer Arts Center collapsed in August 1973, there were few locations in New York where unsigned bands could play original music, and some of the Mercer refugees, including Suicide, The Fast, Wayne County and the Magic Tramps all played in the very early days of CBGB.
At the third Television gig on April 14, 1974, Patti Smith and Lenny Kaye from the Patti Smith Group were in the audience. The band went on to make its own CBGB debut on February 14, 1975. Other early performers included The Stillettos, featuring Deborah Harry, Elda Gentile and Amanda Jones on vocals, and Chris Stein on guitar), who supported Television on May 5, 1974. The newly formed Blondie (under its original name of Angel & the Snake) and the Ramones both arrived in August 1974. Mink DeVille, Talking Heads, The Shirts, The Heartbreakers, The Fleshtones and many other bands followed in quick succession.
CBGB had only one rule for a band to follow in order to play at the venue: they had to play primarily original music. No cover bands were booked to play there. However, most of the regular bands played one or two covers during their sets. Kristal's son claims the policy was meant to help the club avoid paying ASCAP royalties for the compositions being performed.
As CBGB's reputation grew, it began to draw more acts from outside New York City. The club hosted the first American gigs by The Police, on October 20 and 21, 1978.
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