Culture
Culture in Caxias do Sul was not greatly favoured by the first Italian settlers, as they were mostly involved with survival concerns in an area until then unexplored. In the beginning of the 20th century, however, there was some cultural interest developing, and some sculptors, painters and decorators made a significant career in the city and around, like as Pietro Stangherlin, Francisco Meneguzzo and the Zambelli family. They left the first examples of artworks worth of mention, specially in sacred art and building decoration. Julio Calegari and Ulysses Geremia, both photographers, also deserve close attention for their huge collection of images of the old city and in the field of portrait.
As of historical architecture, one may find a few eclectic houses built for rich families, public buildings and neogothic churches, like as the Cathedral and the Chapel of Santo Sepulcro (Sacred Tomb). The first houses of the immigrants, made of stone, and later traditional wooden buildings, nearly all disappeared as the city developed.
The city nowadays has many intensely active museums and cultural centers, both private and official, and a great university which sponsors an art gallery, a museum, a huge library and a symphonic orchestra.
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Famous quotes containing the word culture:
“Popular culture is seductive; high culture is imperious.”
—Mason Cooley (b. 1927)
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)