Comparison To The Historical Cato
Cato was, in reality as in the series, a staunch traditionalist and Julius Caesar's most implacable political opponent. He was known, in a time when electoral corruption was rife, as a man of great integrity and probity. Philosophically he was a Stoic. He lived an austere lifestyle, avoiding luxury and modern fashions- which is reflected in the series by his wearing the toga pulla, favoured by workmen and mourners. He was a defender of the ideals of the Roman Republic and fierce opponent of those he saw as overly ambitious.
Servilia, Caesar's lover, was his half-sister. In 63 BC, during the crisis caused by Catiline's conspiracy to overthrow the state, Caesar was passed a note in the Senate. Cato, believing Caesar was sympathetic to Catiline, accused him of corresponding with the conspirators and seized the letter, only to discover, to his great embarrassment, that it was a love letter from Servilia.
The real Cato was much younger than his fictional counterpart appears: in 52 BC, the year the series opens, he was 43, seven years younger than Caesar. He was also not as contemptuous of plebeians as the series makes him: he established a provision of state-subsidised grain to poor Romans, and Cato was himself a plebeian.
Cato was not actually present at the Battle of Thapsus – he was holding the town of Utica. He did commit suicide by stabbing himself following Scipio's defeat, supposedly to deny Caesar the power to pardon him. A surgeon attempted to save him by stitching up the wound, but Cato was determined to die, and pulled out the stitches and his own intestines.
He was the father of two children by his first wife Atilia; a son, Marcus Porcius Cato, who died in the battle of Philippi, and a daughter, Porcia Catonis, who was the second wife of Marcus Junius Brutus. His wife and his two children are omitted from the series.
|
Read more about this topic: Cato The Younger (Rome Character)
Famous quotes containing the words comparison to, comparison, historical and/or cato:
“It is very important not to become hard. The artist must always have one skin too few in comparison to other people, so you feel the slightest wind.”
—Shusha Guppy (b. 1938)
“[Girls] study under the paralyzing idea that their acquirements cannot be brought into practical use. They may subserve the purposes of promoting individual domestic pleasure and social enjoyment in conversation, but what are they in comparison with the grand stimulation of independence and self- reliance, of the capability of contributing to the comfort and happiness of those whom they love as their own souls?”
—Sarah M. Grimke (17921873)
“We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
—Bertolt Brecht (18981956)
“I would much rather have men ask why I have no statue than why I have one.”
—Marcus Porcius Cato The Elder (234149 B.C.)