Model and Influence of The Cathedral in Religious Architecture
Bishop Rodrigo Ximénez de Rada and those who followed him used master builders who had worked in or had experience designing in the French Gothic style. The cathedrals of Paris or Le Mans were their points of reference. The constructive solutions of the French Gothic builders were well-accepted, such as counter-rests, buttresses and pointed arches; nevertheless, the Spanish builders resisted the importation of the layout of the French cathedrals, where the choir and the altar were located in impressive sanctuaries, opting for smaller ones and situating the choir in the central nave. This was the syncretic solution of the Cathedral of Santiago de Compostela, which came first; all of this developed in Spain as much by the influence of the Mozarabic rite, as also by the Visigothic tradition and the Castilian liturgy.
This historical evolution, combined with the status of the Primate Cathedral, encouraged the adoption of the Toledan model by the rest of the Spanish cathedrals, with the exception of that of Burgos and that of León which followed the French model with more fidelity. A similar arrangement of spaces can be seen in the cathedrals of Cádiz, of Seville, of Palma de Mallorca, among others. And, as was foreseeable, the Spanish Empire carried the model of the Dives Toletana beyond, influencing those constructed in the Americas and the Philippines.
Read more about this topic: Cathedral Of Toledo
Famous quotes containing the words model, influence, cathedral, religious and/or architecture:
“The best way to teach a child restraint and generosity is to be a model of those qualities yourself. If your child sees that you want a particular item but refrain from buying it, either because it isn’t practical or because you can’t afford it, he will begin to understand restraint. Likewise, if you donate books or clothing to charity, take him with you to distribute the items to teach him about generosity.”
—Lawrence Balter (20th century)
“Under the influence of fear, which always leads men to take a pessimistic view of things, they magnified their enemies’ resources, and minimized their own.”
—Titus Livius (Livy)
“Now, honestly: if a large group of ... demonstrators blocked the entrances to St. Patrick’s Cathedral every Sunday for years, making it impossible for worshipers to get inside the church without someone escorting them through screaming crowds, wouldn’t some judge rule that those protesters could keep protesting, but behind police lines and out of the doorways?”
—Anna Quindlen (b. 1953)
“Adjoining a refreshment stand ... is a small frame ice house ... with a whitewashed advertisement on its brown front stating, simply, “Ice. Glory to Jesus.” The proprietor of the establishment is a religious man who has seized the opportunity to broadcast his business and his faith at the same time.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.”
—Audre Lorde (1934–1992)