Design
When Napoleon Bonaparte retreated from Moscow, Emperor Alexander I signed a manifest, 25 December 1812, declaring his intention to build a cathedral in honor of Christ the Saviour "to signify Our gratitude to Divine Providence for saving Russia from the doom that overshadowed Her" and as a memorial to the sacrifices of the Russian people.
It took some time for actual work on the projected cathedral to get started. The first finished architectural project, by Aleksandr Lavrentyevich Vitberg, was endorsed by Alexander I in 1817. It was a flamboyant Neoclassical design full of Freemasonic symbolism. Construction work was begun on the Sparrow Hills, the highest point in Moscow, but the site proved insecure.
In the meantime Alexander I was succeeded by his brother Nicholas I. Profoundly Orthodox and patriotic, the new Tsar disliked the Neoclassicism and Freemasonry of the project selected by his brother. He commissioned his favourite architect Konstantin Thon to create a new design, taking as his model Hagia Sophia in Constantinople, Turkey. Thon's Russian Revival design was approved in 1832, and a new site, closer to the Moscow Kremlin, was chosen by the Tsar in 1837. A convent and church on the site had to be relocated, so that the cornerstone was not laid until 1839.
| A photochrom view of the cathedral and the Great Stone Bridge (ca. 1900) | Interior of the Christ the Savior Cathedral in Moscow (1883) | A bas-relief from the original cathedral (preserved at the Donskoy Monastery) |
Read more about this topic: Cathedral Of Christ The Saviour
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