Dramatic Uses
Catharsis is a term in dramatic art that describes the effect of tragedy (or comedy and quite possibly other artistic forms) principally on the audience (although some have speculated on characters in the drama as well). Nowhere does Aristotle explain the meaning of "catharsis" as he is using that term in the definition of tragedy in the Poetics (1449b21-28). For this reason a number of diverse interpretations of the meaning of this term have arisen. D.W. Lucas (Aristotle: Poetics, Oxford, 1968) in an authoritative edition of the Poetics comprehensively covers the various nuances inherent in the meaning of the term in an Appendix devoted to "Pity, Fear, and Katharsis". Lucas (pp. 276–79) recognizes the possibility of catharsis bearing some aspect of the meaning of "purification, purgation, and "intellectual clarification" although his discussion of these terms is not always, or perhaps often, in the precise form with which other influential scholars have treated them. And Lucas himself does not accept any one of these interpretations as his own but adopts a rather different one based on "the Greek doctrine of Humours" which has not received wide subsequent acceptance. Purgation and purification, used in previous centuries, as the common interpretations of catharsis are still in wide use today. More recently, in the twentieth century, the interpretation of catharsis as "intellectual clarification" has arisen as a rival to the older views in describing the effect of catharsis on members of the audience.
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