Criticism
Critics of anarchism cite the Catechism as the most notorious document in what they take to be the anarchist tradition, arguing that it reflects the innately violent and nihilistic nature of the philosophy. Scholar Michael Allen Gillespie has hailed the Catechism as "a pre-eminent expression of the doctrine of freedom and negation" that arose in the Fichtean notion of the "Absolute I" that had been concealed in Left Hegelianism. Prominent Black Panther of the 20th century Eldridge Cleaver adopted the Catechism as a "revolutionary bible", incorporating it into his daily life to the extent that he employed, in his words, "tactics of ruthlessness in my dealings with everyone with whom I came into contact". The ideas and sentiments in the work had been in part previously aired by Zaichnevsky and Nikolai Ishutin in Russia, and by Carbonari and Young Italy in the West.
The journal "Cahiers du monde russe et soviétique" published a letter from Bakinin to Nechaev, in which Bakinin particularly wrote:
| “ | Your remember how you were angry with me, when I called you abrek and called your Catechism the Catechism of abreks. | ” |
Read more about this topic: Catechism Of A Revolutionary
Famous quotes containing the word criticism:
“Good criticism is very rare and always precious.”
—Ralph Waldo Emerson (1803–1882)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)